Öz

Görüntü Çağı, Bilgi Çağından önce gelir ve günümüzde Bilgi Çağıyla çağdaştır. De.licio.us, Flickr, MySpace, YouTube. . . gibi olgularla örneklenen Web 2.0 Sosyal Uzayının tahminlerin ötesinde büyümesi ve bununla birlikte ortaya çıkan etiketleme bilgi yönetiminde ilginç gelişmelere sahne olmaktadır. Sosyal Uzayda bilgi yönetimini başarmak (insanlar tarafından gerçekleştirilen) etiketleme ve (makineler tarafından gerçekleştirilen) ontolojinin birleştirilmesini gerektirmektedir. Böyle bir birleştirme mutlaka sözün ve dilin ortak fizikselliğiyle gerçekleştirilmelidir. Bu hususta Web Ontoloji Dili1 (OWL) ile WordNet çöpçatan rolü oynarlar. Öte yandan aynı Sosyal Uzay dijiFoto (anahtar) resimle doğal folksonomik işaretleme yapmak için de bir fırsat sağlar. Deneysel anahtar resim işaretlemesi yapmak için kullanılan araştırma araçları ana (dijiFoto görüntü) Sosyal Uzay sınama ortamı olan Flickr ile yardımcı ikincil Sosyal Uzay sınama ortamı olan De.licio.us’dan oluşmaktadır. OWL-DL (OWL Betimleme Mantığı) ile Protégé Editor anahtar resimden biçimsel (formal) ontolojiye köprü kurmak için destek sağlar. Başlıca son kullanıcı uygulama alanı bir çevrimiçi sanat galerisindeki tabloların anahtar resim işaretlemesidir.

Anahtar Kelimeler: Erişim, Sanat, Etiketleme, Anahtar resim, Ontoloji

Referanslar

  1. Acton, M. (1997). Learning to look at paintings. London: Routledge.
  2. Art Gallery — the Master. (2008). Художествена галерия “Владимир Димитров—Майстора”. Retrieved Feb 13, 2008, from http://www.artgallery-themaster.com/
  3. Baader, F., Calvanese, D., McGuiness, D., Nardi, D., and Patel-Schneider, P. (Eds.). (2003). The Description Logic Handbook : Theory, Implementation and Applications. Cambridge: Cambridge University Press.
  4. Ball Platner, S. (1929). A Topographical Dictionary of Ancient Rome. Retrieved Dec 22, 2006, from http://penelope.uchicago.edu/Thayer/E/Gazetteer/Places/Europe/Italy/Lazio/Roma/Rome/_Texts/PLATOP*/Aedes_Matris_Deum.html
  5. Berger, J. (1972). Ways of seeing : based on the BBC television series with John Berger. London: British Broadcasting Corporation and Penguin.
  6. Bonnard, P. (Artist). (ca. 1924). Ambroise Vollard with His Cat
  7. Cézanne, P. (Artist). (1899). Ambroise Vollard
  8. Chun, S., Cherry, R., Hiwiller, D., Trant, J., and Wyman, B. (2006). Steve.museum: An Ongoing Experiment in Social Tagging, Folksonomy, and Museums. Retrieved Dec 28, 2006, from http://www.archimuse.com/mw2006/papers/wyman/wyman.html
  9. Cornelius Rosse et al. (2008). Foundational Model of Anatomy. Retrieved Jan 27, 2008, from http://sig.biostr.washington.edu/projects/fm/AboutFM.html
  10. Creative Commons Organization. Creative Commons. Retrieved Feb 9, 2008, from http://creativecommons.org/
  11. de Rynck, P. (2004). How to read a painting : decoding, understanding and enjoying the Old Masters. London: Thames & Hudson.
  12. Domino : Art Galleries. (2008). Български художествени галерии. Retrieved Feb 13, 2008, from http://art.domino.bg/gallery.php?lang=
  13. Evans, S. b. (2007). Thailand: Hill Tribes. Retrieved Jan 9, 2008, from http://www.flickr.com/photos/babasteve/406660060/
  14. Flickr. Retrieved Jan 30, 2008, from http://www.flickr.com/
  15. Flickr. Tags. Retrieved Jan 3, 2007, from http://www.flickr.com/photos/tags/
  16. Garfield, S. (2000). Mauve : how one man invented a colour that changed the world. London: Faber and Faber.
  17. Gauguin, P. (1897). Nevermore. Retrieved Jan 4, 2007, from http://impression.alloilpaint.com/gauguin/gauguin88.jpg
  18. Giorgione (Artist). (c. 1510). Sleeping Venus (or Dresden Madonna) [oil painting].
  19. Goethe, J. W. v., and Eastlake, C. L. (1975). Goethe's Theory of colours. New York: Gordon Press.
  20. Gombrich, E. H. (1995). The Story of Art (new ed.): Phaidon.
  21. Google. Google Image Labeler. Retrieved Jan 3, 2007, from http://images.google.com/imagelabeler/
  22. Hall, J., and Puleston, C. (1994). Illustrated dictionary of symbols in Eastern and Western art. London: John Murray.
  23. Hamilton, H. D. Cupid and Psyche in the nuptial bower (B&W) [Oil painting].
  24. Harris, J. (2006). Art history : the key concepts. New York, NY: Routledge.
  25. Heaney, S. (1999). Beowulf. London: Faber and Faber.
  26. Huizinga, J. (1955). Homo ludens; a study of the play-element in culture. Boston: Beacon Press.
  27. Isemann, D., Mac an Airchinnigh, M., and Ahmad, K. (2007). Navigating heritage on well-grounded terminology and robust ontology. Paper presented at the XVI-th European Symposium on Languages for Special Purposes (LSP).
  28. Kobayashi, S. (1991). Color image scale. Tokyo ; London: Kosdansha International.
  29. Kobayashi, S., Keiichi, O. and Lowitz, L.. (1998). Colorist : A Practical Handbook for Personal and Professional Use. Tokyo ; New York ; London: Kodansha International.
  30. Kobayashi, S., and Nihon Kar*a Dezain Kenky*ujo. (1987). A Book of colors : matching colors, combining colors, color designing, color decorating. Tokyo ; New York: Kodansha International.
  31. Mac an Airchinnigh, M. (2004). The practical sense of philosophizing: why preserve anything at all, even digitally? Review of the National Center for Digitization Retrieved Jan 9, 2007,from http://elib.mi.sanu.ac.yu/pages/browse_article.php?cs=000001&rd=0000051
  32. Mac an Airchinnigh, M., and Sotirova, K. (2007a, 24-26 Ekim). Keyimage Ontologization & Folksonomy in Web 2.0 Social Space. Paper presented at the Değişen Dünyada Bilgi Yönetimi Sempozyumu, Ankara: H.Ü.
  33. Mac an Airchinnigh, M., and Sotirova, K. (2007b). Keyimage Ontologization & Folksonomy in Web 2.0 Social Space. Paper presented at the Değişen Dünyada Bilgi Yönetimi Sempozyumu.
  34. Magritte, R. (1979). Écrits complets (ed. André Blavier). Paris.
  35. Manet, E. (1865). Olympia. Retrieved Jan 4, 2007, from http://www.griseldaonline.it/percorsi/3checcoli_1d.htm
  36. Mantegna, A. (1505-6). The Introduction of the Cult of Cybele at Rome. Retrieved Dec 22, 2006, from http://www.nationalgallery.org.uk/cgi-bin/WebObjects.dll/CollectionPublisher.woa/wa/work?workNumber=NG902
  37. Marincola, P., & Philadelphia Exhibitions Initiative. (2006). What makes a great exhibition? Philadelphia, PA Chicago, IL: Philadelphia Exhibitions Initiative Distributed for Reaktion Books in the USA and Canada by the University of Chicago Press.
  38. Mautner, T. (1997). The Penguin dictionary of philosophy (Rev. ed.). London ; New York: Penguin Books.
  39. National Art Gallery Bulgaria. National Art Gallery Bulgaria. Retrieved Nov 29, 2006, from http://www.nationalartgallery-bg.org/
  40. National Gallery London. (2008). The National Gallery, London. Retrieved Feb 13, 2008, from http://www.nationalgallery.org.uk/
  41. National Gallery of Ireland. (2008). Home page of the National Gallery of Ireland. Retrieved Feb 13, 2008, from http://www.nationalgallery.ie/
  42. Negroponte, N. (2008). One Laptop per Child. Retrieved Jan 14, 2008, from http://web.media.mit.edu/~nicholas/
  43. Nick Crofts, Doerr, M., Gill, T. Stead, S. and Stiff, M. (editors). (2008). CIDOC Conceptual Reference Model, version 4.2.2. Retrieved Jan 27, 2008, from http://cidoc.ics.forth.gr/
  44. Pamuk, O. (2002). My name is Red (Benim Adım Kırmızı) (E. M. Göknar, Trans.). London: Faber.
  45. Pamuk, O. (2005). Istanbul : memories of a city. London: Faber and Faber.
  46. Parascandolo, R. (2004). Tutta l'opera del Caravaggio, una mostra impossibile. Retrieved Feb 8, 2008, from http://www.caravaggio.rai.it/, http://www.caravaggio.rai.it/index_en.htm
  47. Parmigianino. (1532-40). The Madonna with the Long Neck. Retrieved Jan 4, 2007, from http://witcombe.sbc.edu/baroquetheory/images/parmigianino.jpg
  48. Picasso, P. (Artist). (1910a). Ambroise Vollard
  49. Picasso, P. (1910b). Daniel-Henry Kahnweiler. Retrieved May 7, 2007, from http://www.flickr.com/photos/mihalorel/486123855/, http://en.wikipedia.org/wiki/Daniel-Henry_Kahnweiler
  50. Picasso, P. (Artist). (1910c). Kahnweiler (B&W)
  51. Picasso, P. (1937). Guernica. Retrieved Feb 3, 2008, from http://en.wikipedia.org/wiki/Image:PicassoGuernica.jpg
  52. Posthumus, E. (2007). Flickr ICONCLASSify. Retrieved Jan 21, 2008, from http://www.iconclass.org/flickr
  53. RAI International online. (circa 2004). Caravaggio, an impossible exhibition. Retrieved Feb 8, 2008, from http://www.italica.rai.it/eng/principal/topics/art/caravaggio4.htm
  54. Rifkin, J. (2000). The age of access : the new culture of hypercapitalism, where all of life is a paid-for experience. New York: J.P. Tarcher/ Putnam.
  55. Rijksbureau voor Kunsthistorische Documentatie [RKD]. Iconclass. Retrieved Jan 19, 2008, from http://www.iconclass.nl/index.html
  56. Rijksbureau voor Kunsthistorische Documentatie [RKD]. Iconclass Illustrated Libertas Edition. Retrieved Jan 19, 2008, from http://www.iconclass.nl/libertas/ic?style=index.xsl
  57. Schmitz, P. (2006). Inducing Ontology from Flickr Tags. Retrieved Jan 3, 2007
  58. Shirin-Hüsrev Unknown. Shirin examines Hüsrev’s portrait (B&W).
  59. Sotirova, K. (2004). Edutainment games - homo culturalis vs homo ludens. Review of the National Center for Digitization, 2004(4), 84-98.
  60. Sotirova, K. (2005). EDUTAINMENT (Game) – DIGITAL (RE)DISCOVERY OF CULTURE. Review of the National Center for Digitization, 2005(6), 58-68.
  61. Sowa, J. F. (2000). Knowledge representation : logical, philosophical, and computational foundations. Pacific Grove, CA ; London: Brooks/Cole.
  62. steve project. The Art Museum Social Tagging Project. Retrieved Feb 9, 2008, from http://www.steve.museum/
  63. Sutton-Smith, B. (1997). The ambiguity of play. Cambridge, Mass. ; London: Harvard University Press.
  64. Thompson, J. (2006). How to read a modern painting : lessons from the modern masters. New York: Abrams.
  65. Thomson, A. (1964). A handbook of anatomy for art students (5th ed.). New York,: Dover Publications.
  66. Titian. (1538). Venus of Urbino. Retrieved Jan 4, 2007, from http://www.abm-enterprises.net/urbinovenus.htm, http://en.wikipedia.org/wiki/Venus_of_Urbino
  67. Tiziano, V. (Artist). (1550). Mater Dolorosa (with clasped hands) [Oil on canvas, 68 x 61 cm].
  68. V&A. Victoria and Albert Museum. Retrieved Jan 19, 2007, from http://www.vam.ac.uk/
  69. von Ahn, L., & Dabbish, L. (2004). Labeling Images with a Computer Game. Paper presented at the "CHI 2004". from http://www.cs.cmu.edu/~biglou/ESP.pdf
  70. W3C. (2004). Web Ontology Language (OWL). Retrieved July 8, 2006, from http://www.w3.org/2004/OWL/
  71. W en. Folksonomy. Retrieved Jan 4, 2007, from http://en.wikipedia.org/wiki/Folksonomy
  72. W en. Information Management. Retrieved Dec 2, 2006, from http://en.wikipedia.org/wiki/Information_management
  73. W en. Kāmadeva. Retrieved Feb 13, 2008, from http://en.wikipedia.org/wiki/Kamadeva
  74. W en. Michel Eugène Chevreul. Retrieved Jan 2, 2007, from http://en.wikipedia.org/wiki/Michel_Eugène_Chevreul
  75. W en. Quiff. Retrieved May 7, 2007, from http://en.wikipedia.org/wiki/Quiff
  76. W en. Seahorse. Retrieved May 7, 2007, from http://en.wikipedia.org/wiki/Seahorse
  77. W en. The Sims 2. Retrieved Dec 19, 2006, from http://en.wikipedia.org/wiki/The_Sims_2
  78. W en. Sandro Botticelli. Retrieved Feb 13, 2008, from http://en.wikipedia.org/wiki/Sandro_Botticelli
  79. Whittaker, S. (2007, 24-26 Ekim). On the Future of Information Retrieval. Paper presented at the Değişen Dünyada Bilgi Yönetimi Sempozyumu, Ankara: H.Ü.
  80. Whittaker, S. (2008). Research Interests and Profile. Retrieved Feb 13, 2008, from http://www.shef.ac.uk/is/staff/whittaker.html, http://dis.shef.ac.uk/stevewhittaker/index.html
  81. WordNet. (2008). WordNet. http://wordnet.princeton.edu/
  82. Асса, Г. Model and Painter [sketch]. Retrieved Jan 27, 2008, from
  83. Маринска, Р., & Щилиянов, П. (1999). Българската живопис (1900-1950), София–Европа в контекста на европейското изкуство. София: Национална Художествена Галерия.
  84. Орела, М. Retrieved Dec 19, 2006, from http://www.flickr.com/photos/mihalorel/
  85. Орела, М. (2006a). Nevermore. Retrieved Jan 4, 2007, from http://www.flickr.com/photos/mihalorel/328176500/
  86. Орела, М. (2006b). Кибела. Retrieved Feb 3, 2008, from http://www.flickr.com/photos/mihalorel/332841021
  87. Орела, М. (2006c). отвлечено понятие: майка и дете. Retrieved Feb 3, 2008, from http://www.flickr.com/photos/mihalorel/314770692/
  88. Орела, М. (2006d). Росица Иванова, Titian's "Venus", Manet's "Olympia". Retrieved Jan 4, 2007, from http://www.flickr.com/photos/mihalorel/336742873/
  89. Орела, М. (2007). Иван Милев, АВТОПОРТРЕТ, 1920, детайл. Retrieved April 28, 2007, from http://www.flickr.com/photos/mihalorel/475366586/

Lisans

Telif Hakkı (c) 2008 Yazar(lar). Açık erişimli bu makale, orijinal çalışmaya uygun şekilde atıfta bulunulması koşuluyla, herhangi bir ortamda veya formatta sınırsız kullanım, dağıtım ve çoğaltmaya izin veren Creative Commons Attribution License (CC BY) altında dağıtılmıştır.

Nasıl Atıf Yapılır

Airchinnigh, M. M. an, & Sotirova, K. (2008). Dijital Sergiler ve Anahtar Resim Ontolojisi. Bilgi Dünyası, 9(1), 90-125. https://doi.org/10.15612/BD.2008.329